Only Some Northern Songs in
With the Beatles



The Beatles managed to issue in just 7 years 13 LPs, several EPs and a bunch of singles that were not included in the LPs, an they left a good deal of other recorded and composed material, either discarded or given away to others as we have been able to check with the new Anthology. It's not then surprising that instead of enjoying their early success with Please Please Me, The Beatles were back at the studio just four months later with their previous LP still leading the charts. The early come back to Abbey Road probably forced them to record 7 covers from other artists that they had developed during their stage acts. Musically With The Beatles witnesses the increasingly complication in Beatles tracks. Percussion is not just drums, but Ringo pulls out the Bongos a couple of times. The vocals are double tracked in some songs being this a constant in many Beatles songs from this LP on.

  • With The Beatles
  • Recording Dates: July 18th - October 23rd, 1963
  • Release Date: Novemeber 22nd, 1963

It won't be long

Lennon
John:Rythm Guitar and Lead Vocal
Paul:Bass Guitar and Backing vocal
George:Lead Guitar and Backing Vocal
Ringo:Drums

The Beatles discovered double tracking in their second album as can be heard in It Won't Be Long. John's voice was recorded twice to produce this well known effect in Beatles songs (the same effect was later achieved by the development in EMI studios of ADT)

All I've got to do

Lennon
John:Rythm Guitar and Lead Vocal
Paul:Bass Guitar and Harmony vocal
George:Lead Guitar
Ringo:Drums

John wrote this song in 1961, supposedly trying to "do the Smokey Robinson" Curiosly enough in this same album, The Beatles cover "You really got a Hold on Me", a song by The Miracles, being Smokey the leader. The song was recorded altogeher in a single session.

All my Loving

McCartney
John:Rythm Guitar and Harmony Vocal
Paul:Bass Guitar and Lead vocal
George:Lead Guitar and Harmony Vocal
Ringo:Drums

Paul conceived the song as a poem while he was shaving one day and didn't put music to it until the end of the day. He later recognized that it was the first song in which he had the words before he had the music. It was also recorded in a single session. Definitely one of Paul's best.

Don't Bother Me

Harrison
John:Rythm Guitar and Tambourine
Paul:Bass Guitar and Claves
George:Lead Guitar and Lead Vocal
Ringo:Drums, Bongos and Loose skin Arabian Bongo.

First Harrison song in a Beatles album. George was quite reluctant to write songs, but Bill Harry, editor of Merseybeat insisted until George told him in this way not to bother him. Written in August 1963 in a hotel in Bournemouth.

Litle Child

Lennon-McCartney
John:Rythm Guitar, Harmonica and Lead Vocal
Paul:Bass Guitar, Piano and Lead vocal
George:Lead Guitar
Ringo:Drums

Remembered by Lennon in 1980 as another effort to write a song for somebody... probably Ringo.

Till There Was You

Wilson
John:Acoustic Guitar
Paul:Bass Guitar and Lead vocal
George:Acoustic Guitar
Ringo:Bongos

Song from The Music Man that The Beatles used in their stage acts to cool them down a little. Curiously enough, the song is almost unplugged, except for Paul's bass guitar... shame MTV wasn't there to record it.

Please Mister Postman

Holland
John:Rythm Guitar and Lead Vocal
Paul:Bass Guitar and Backing vocal
George:Lead Guitar and Backing Vocal
Ringo:Drums

This song was a hit for The Marvelettes and was one of The Beatles early favourites. Another extremely good song that the Fab Four managed to bring to perfection. John voice is double tracked. This song was again popularized in the Backbeat soundtrack.

Roll Over Beethoven

Berry
John:Rythm Guitar
Paul:Bass Guitar
George:Lead Guitar and Lead Vocal
Ringo:Drums

Georges double-tracked vocals bring to life this song often played on stage by The Beatles. Another non-Beatle Beatles' classic.

Hold Me Tight

McCartney
John:Rythm Guitar and Backing Vocal
Paul:Bass Guitar and Lead vocal
George:Lead Guitar and Backing Vocal
Ringo:Drums

Recorded for Please Please Me, the song never made it to that first album and was mixed for With The Beatles. Paul considered this one just a "work song"

You Really got a Hold On Me

Robinson
John:Rythm Guitar and Lead Vocal
Paul:Bass Guitar and Backing vocal
George:Lead Guitar and Lead Vocal
Ringo:Drums
George Martin: Piano

Originally recorded by The Miracles, John here has obvious reasons to do the Smokey Robinson. George handles an alternating second voice.

I Wanna Be your Man

Lennon-McCartney
John:Rythm Guitar, Hammond organ and Harmony Vocal
Paul:Bass Guitar and Harmonny vocal
George:Lead Guitar
Ringo:Drums, Maracas and Lead Vocal

Ringo's track at last! Paul started wirting the song in 1963 for Ringo as the limited range of the vocals shows (Ringo is not much of a singer although his a heck of a drummer) However he had problems with the middle eight and left it unfinished. In September 1963, The Rolling Stones were looking for some new material to record, and John and Paul offered them the song. The Rollings liked it, but Decca was pressing them for a new release and the song wasn't yet finished. The two Beatles went into a separate room and came back shortly afterwards with the firt major hit for the Stones and at the same time, Ringo's track for With The Beatles

Devil In Her Heart

Drapkin
John:Rythm Guitar and Harmony Vocal
Paul:Bass Guitar and Harmony vocal
George:Lead Guitar and Lead Vocal
Ringo:Drums and Maracas

First recorded by The Donnays, the lyrics were changed (the usual she for he swap) so George could handle them.

Not a Second Time

Lennon
John:Acoustic Guitar and Lead Vocal
Paul:Not Present
George:Not Present
Ringo:Drums
George Martin: Piano

According to Paul the song was inspired in Smokey Robinson, although it was John the main writer. The song was commented by William Man of The Times in the following terms:

"...harmonic interest is typical of their quicker songs too, and one gets the impression that they think simultaneously oh harmony and melody, so firmly are the major tonic sevenths and ninths built into their tunes, and the flat submediant key switches, so natural in the Aeolian cadence at the end of Not a Second Time (the chord progression that ends Mahler's Song of The Earth..."
Evidently John didn't even know what this guy was talking about.

Money

Bradford-Gordy
John:Rythm Guitar and Lead Vocal
Paul:Bass Guitar and Backing vocal
George:Lead Guitar and Backing Vocal
Ringo:Drums
George Martin: Piano

Originally issued by Barrat Strong in 1959, a wonderful cover by The Beatles (again) showing they could do as good with other's material as they could with their own


©Copyright 1995-2000 Enrique Cabrera
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